Oh My I

Self Portrait - August 1983 - pencil crayon on paper - 20" x 26 "

I guess this is when I lost my eyes..... metaphorically speaking.  I never was able to focus on any one thing (style, medium, subject etc ) for an extended time. You can see in this posting that in the few months shown here, that I am all over the place. Is it all just about early artistic career experimentation?  I don't think so. I'm just so interested in so much. Curious about how it all works. Excited about experimentation. As much as I would like to focus in on an area for a year or two or 5 or 10, I just can't.
It's been 30 years of these shinannigans! I'm always exploring the new(for me) and always going back to what I've done and continued unravelling those threads. But throughout all of this, I like to think that my third eye is still focussed on the big picture.
  

 Futuremate - August 1983 - pencil crayon on paper - 20" x 26"

Lander - August 1983 - melted crayon on matt board - 14" x 22"

Tiger Face - July 1983 - pencil crayon on paper - 20" x 20"

Eye Of Spades - June 1983 - lino cut ink on paper

with hand pencil crayon color - 11" x 14"  

Eye Of Spades - June 1983 - lino cut ink & pencil crayon on paper - 

edition of 6, each with different backgrounds - 11" x 14"

June 1983 - ink in paper - 3" x 13"

Here above is the first logo design I did for a company. All hand drawn and inked. This logo appears on the poster below which also happens to have been my first poster assignment. I had not looked at this poster for almost 30 years. I think I never liked it for some reason. It's not great but I do like it now!

The Tubes - June 1983 - ink on paper - 15.5" x 21.5" 

May-June 1983 - Assorted Pins - acrylic or pencil crayon on acrylic base or matt board 

After seeing the hand painted pins of Winnipeg artist Margaret Hartley, I was inspired to make my own.  I did copy her Rocky Horror lips though....they were so good.

Worlds Apart

 Different Worlds - Dec 1982 - pencil crayon on paper - 12 x 20 inches

For some reason, ashtrays end up in my work quite a bit....and cigarettes too, even though I don't smoke. They are usually glass ashtrays. I guess I like drawing (or painting) all the reflections. This pencil crayon drawing above holds my first rendition of an ashtray along with an early inkling towards  an interest in candy wrappers. This drawing represents one of those drifting off moments...deep in thought. I am often contemplating the space between being here and not being here and the space between my own concrete eyes and what I am looking at (or what is in front of me) materially-concrete-wise. Confused yet? The space between the body and the being.
    

Judgement - Dec 1982 - acrylic on canvas - 34 x 40 inches

I was going through a lot of questions while painting this one. A lot of religious and spiritual struggle happening in my life at the time. The hand of God and the hand of Lucifer in a tug-o-war for my being.  God has a better grip on things. This painting was the beginning of a series of works of which I only got to a couple of so far.

Renascence

Renascence - May 1982 - pencil crayon on paper - 20 x 26 inches

This picture started within the point of the light at the finger tip. There was no hand or idea of a hand yet. It was a doodle that kept changing in the multitude of directions it sparked at every moment. I could not reign in my ideas. Much later in the night I decided on the hand as holding that infinite spark of power of imagination. Then later on after I had gone to bed and when I awoke, I found that my brother Gary was inspired by my image and added more power with his own spark of Christian insight.    

The Colorful Beginning

This installment is a compilation from the timelier installments that appeared in my News blog.

From Jungle To Jungle  August 1981, acrylic on illustration board, 20 x 30 inches, (top part is cut off)

Another 30 Year post for your retro pleasure. This is my 5th painting. ( you can see the first four in my May 2011 post ) As my first four paintings were done while finishing high school, this painting was done in a summer limbo period before an unknown future of not going back to school and not having a job. One can see some obvious influences such as a Frazetta, Whelan or Boris setting and the use of a Kull or Krull figure from a comic magazine Bizarre Adventures #26. I thought at the time I had quite an original idea with the juxtaposition of the two different worlds, a theme that would be prevalent in many future work. Wait a sec, It already has been prevelant in my previous three paintings. Funny. I remember feeling really at home painting the buildings without any reference, but I was stumped by how to paint the vegetation. To this day I still really like this one, though I cringe a little bit for the swipes of reference. Hey, I was only 17. I am amazed that I kept track of how long it took me to paint the different parts of the painting and how long I spent on preliminary drawings etc. In total, 63 hours.

Wide Open Spaces  May 1981, 24" x 26", acrylic on canvas

This month 30 years ago I was just finishing up High School at West Kildonan Collegiate when I painted the above work. Nobody at school ever really saw my work nor did I ever really show it. In my last half of grade 12 I only had half a day of school. I suppose I spent some of that free time doing art at home or at the Forum Art Institute. No sooner than I finished the painting a dentist by the name of Dr. Sidney Fleisher bought it for 150 bucks. He had lent me a set of teeth for reference after not being able to find an illustrative brochure with a perfect set for me to draw upon. So he said when I had the painting done and upon returning the teeth he wanted to see it. He had a hundred paintings up in his practice making it an alright place to get dental work done.

Hope For One  April 1981, 20" x 30", acrylic on illustration board

This is my third painting. I was really quite a loner in school and pretty quiet to. Though my friend Sam was always around and tried to crack my multiple shells I pretty much kept to myself and my thoughts. It was always the end for me in many ways and I suppose this painting illustrates this inner feeling of isolation and of being trapped and held onto, of being at the end of my rope or at the end of the world. I suppose that if I was going to be stuck here, there was still hope for my spirit. "Your spirit shall set you free." One of the first artists that I loved and felt a connection to was Roger Dean of Yes album cover art fame. I had his first book called Views and I loved it, I loved it, I loved it. There is some of him in the rocks and land.

Metal Stones  December 1980, 24" x 36" acrylic on canvas

This is my second painting finished just before my 17th birthday. I still really like it! I had been interested in science fiction, fantasy, surrealism and architecture so I guess it kind of got all rolled into this one. I saw a picture of the ruined buildings in a National Geographic magazine and it really sparked the idea. From old to new and having the juxtaposition of the architectures.

Communicative Travel  November 1980, 20" x 20", acrylic on paper canvas

This is my first painting I did while my brother and I enrolled in painting classes at the Forum Art Institute under the tutelage of Nickola Bejelejac in the old CPR Station building. What a place it was! Everyone was was twice our age or older. Some were really old by our perspective had already been painting there for years. But boy could some of these folks paint. And there were all sorts of painting styles going on too from smooth surrealism by Dan Gregg (one of my favorites), rich impasto scenes or the organic flows from a syringe needle by Vicki McBain. This wasn't really a place to learn how to paint as much as it was a place to hang out and paint. I think I learnt how to paint by watching everyone. Yes the instructor had lessons if you wanted or cared, or you just worked at your own pace and Nick was there to question and guide you to a finished work. You could not sign a piece until he said so. That's funny.

This first painting was made from a first assignment which my brother and I both thought was pretty cool. It consisted of drawing a series of four squares then adding various lines in each one to divide/create multiple spaces in each of these squares. We then chose our favorite and put it aside. Then we added more lines to the remaining three squares and once again choosing our favorite and putting it aside. We continued to add more lines until we were left with four drawings we liked. Then we colored them going through this same method of 'pleasing elimination'. So by the end you had four colored drawings that you liked. But now, you had to choose one that you really liked and do a painting of it. 

But how do you paint? Nobody showed us. You had to figure it out for yourself. So I thought that if this first painting was going to be like a  jumping in the deep end learning experience, then if I was going to learn something I would give myself a challenge and try to think about the various ways that I could possibly do shading with acrylic paint. When I was younger and I was learning how to draw with a pencil, it was really important for me to know how to shade and to give objects a 3 dimensional quality, so I wanted to learn to do this with paint. In this one painting I tried three different blending styles. Wet on wet, thinning with water and dry brushing. I liked dry brushing the most and is the method I would mostly use in years to come.